Judges

How do you judge the finalists and winners of an international embroidery competition? It’s no easy task, first you need to find specialists with embroidery and design expertise, a discerning eye and a passion for emerging design. These individuals must become intimately familiar with the specially written brief and consider each entrant’s embroidery based on their interpretation of the brief and their creative and technical talents.

Our 2024 judging panel is comprised of educators, practitioners and specialists from every sphere of the embroidery universe. They consider the work in progress at the first stage to determine our finalists, and again at the live prize-giving where they judge the completed embroideries. At the live final our judges also have the opportunity to review supporting research materials to form a comprehensive understanding.

Judges might also talk to finalists about their submissions to interrogate techniques, influences and gain a clear understanding of how they arrived at their exhibited work.

Alastair Macleod

Alastair Macleod

Chairman of Hand & Lock
Prize judge Cornelia Parker CBE

Cornelia Parker

Contemporary Artist
Philip Treacy Prize Judge

Philip Treacy

Hat Designer
Anthea Godfrey

Anthea Godfrey

Artistic Director Embroiderers' Guild
Jenny King Prize Judge

Jenny King

Founder and Creative Director
Diana Springall Prize Judge

Diana Springall

Designer, Crafter and Creator
Cathryn Avison Prize Judge

Cathryn Avison

Costume Embroidery Designer
Jamie Chalmers 

Jamie Chalmers 

Embroidery & Textile Art Curator
Anna Murphy

Anna Murphy

Fashion Director at The Times

Mentors

The Hand & Lock Embroidery Mentorship Programme was introduced in 2013 to provide the selected finalists an opportunity to work closely with an industry expert and develop their designs. Each finalist has a few weeks to perfect their design with expert help in the run up to the final stage of the Prize: the live judging at the Prize-giving.

Previous mentors include designers Zandra Rhodes, Ed Marler and Amy Betts, editor of Selvedge magazine Polly Leonard and textile artists Alice Kettle, Sam Roddick and Diana Springall. In previous years many finalists have gone on to forge close personal and professional relationships with their mentors; receiving career guidance as well as help and support through the Prize process.

This year’s mentors have an invaluable wealth of expert, industry knowledge and experience across fashion, textiles, art and design.

If you are interested in becoming a mentor please get in touch at prize@handembroidery.com.

Charlotte Gaunt Prize Mentor

Charlotte Gaunt

Contemporary Interior Artist
Kseniia Guseva

Kseniia Guseva

Embroidery Artist
Julie Heaton Embroidery Course

Julie Heaton

Artist
Sorrell Kerrison

Sorrell Kerrison

Multimedia Artist
Sam D’Cruze

Sam D’Cruze

Multidisciplinary, Socially Engaged Artist
Richard McVetis MA RCA

Richard McVetis

Artist
Elizabeth Ashdown Prize Mentor

Elizabeth Ashdown

Passementerie Artist
Danielle Clough Prize Mentor

Danielle Clough

Embroidery Artist
Elena Ciarrocchi

Elena Ciarrocchi

Embroiderer
Angie Wyman

Angie Wyman

Course Leader Royal School of Needlework
Olga Prinku

Olga Prinku

Artist
Chloë Amy Avery 

Chloë Avery 

Embroidery Artist
Kate Tume Prize Mentor

Kate Tume

Artist
Anna Taylor

Anna Taylor

Embroidery Designer
Justine Bonenfant

Justine Bonenfant

Artist
Katie Wells Prize Mentor

Katie Wells

Embroidery Artist & Educator
Stacey Jones

Stacey Jones

Artist
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