Meet the mentors
The Hand & Lock Embroidery Mentorship Programme was introduced in 2013 to provide the selected finalists an opportunity to work closely with an industry expert and develop their designs. Each finalist has a few weeks to perfect their design with expert help in the run up to the final stage of the Prize: the live judging at the Prize-giving.
Previous mentors include designers Zandra Rhodes, Ed Marler and Amy Betts, editor of Selvedge magazine Polly Leonard and textile artists Alice Kettle, Sam Roddick and Diana Springall. In previous years many finalists have gone on to forge close personal and professional relationships with their mentors; receiving career guidance as well as help and support through the Prize process.
This year’s mentors have an invaluable wealth of expert, industry knowledge and experience accross fashion, textiles, art and design.
If you are interested in becoming a mentor please get in touch at firstname.lastname@example.org.
Angie Wyman leads the BA (Hons) Hand Embroidery for Fashion, Interiors, Textile Art at the Royal School of Needlework. Angie’s first degree was in Embroidered textiles. Working specifically within embroidery, craft and design, Angie has more than 20 years’ experience of working within Higher Education at Degree and Masters level. Angie is both a practitioner and an academic with a career-long commitment to the promotion and continued practice of embroidery. Angie has exhibited works internationally, with pieces held in both public and private collections and has developed and managed a number of prestigious international textile projects. Angie developed collaborative partnerships with the Australian National University, Canberra and Novia University of Applied Sciences, Turku, Finland, culminating in country – specific exhibitions, workshops and conferences. Angie completed a successful residency at the Australian National University in 2012. Angie was appointed Panel Judge for the Embroiderers’ Guild Scholar Award in 2014 / 2015 / 2016 and the Schools’ National Fashion Competition in 2015 / 16. Angie is an External Examiner within Higher Education at degree level. She has experience of Quality Enhancement for HE through course writing, validation and chairing validation panels.
Aram Han Sifuentes uses a needle and thread as her tools to examine immigration, citizenship, race and craft. Her work has been exhibited and performed at the Museum of Contemporary Art, Chicago, Wing Luke Museum of Asian Pacific American Experience, Chung Young Yang Embroidery Museum, Jane Addams Hull-House Museum, and the Chicago Cultural Center. She is a 2016 Smithsonian Artist Research Fellow and a 2016 3Arts Awardee. She earned her BA from the University of California, Berkeley, and her MFA from the School of the Art Institute of Chicago, where she is currently a lecturer.
Alice Kettle is a contemporary textile/fibre artist based in the UK and has established an internationally regarded unique area of practice. Her stitched works, many the size of huge figurative tapestries, exploit the textures and effects made possible through the harnessing of a mechanical process to intuitive, conceptual and creative ends. Alice is currently Professor in Textile Arts at Manchester School of Art, Manchester Metropolitan University. Her work is represented in various public collections including the Crafts Council London, the Whitworth in Manchester, Museo Internationale delle Arti Applicate Oggi, Turin, Italy, Museum of Decorative Art and Design, Riga, Latvia. Commissions include the National Library of Australia, The Scottish High Court in Edinburgh, Gloucester and Winchester Cathedrals, Winchester Discovery Centre, Lloyd’s Register and the School of Music & Drama at Manchester University. Her major exhibition Thread Bearing Witness will be at the Whitworth Sept 2018 – April 2019. She has co authored Hand Stitch Perspectives, Machine Stitch Perspectives, Collaboration through Craft, The Erotic Cloth with Bloomsbury and Making Stories Ibook with Electricimprint.
Daisy Harkness is creator of fashion, art and design brand Denim and Bone. Daisy uses digitisation as her tool to create highly intricate, embroidered denim jackets. She is proud to say she can translate nearly anything into machine embroidery and wants her designs to not only be for fashion but to be seen as “a form of art that will last the test of time.” Her embroidered jackets have been seen on the likes of Fearne Cotton, ‘Ladies of London’ star Juliet Angus and New York based model Candice Huffane. Daisy is currently collaborating with bridal designer Rue De Seine on a range of bridal jackets, stocking in Joyce Hong Kong and is soon to be releasing a new range of embroidered denim jackets available this summer.
Davida Hadden Co-Founder of Alfie Douglas, a unique business built around a family and their individual creative instincts. Having owned creative businesses for many years Davida and husband Simon have developed a brand combining traditional manufacturing techniques with modern marketing and brand design making quality leather goods in their studio in London. Her passion lies with the design and manufacturing process and to revitalise and highlight some of the skills that Britain is renowned for.
Diana Springall is one of Britain’s best known textile artists. Her 50 year career in textiles includes appointments as a panel lecturer at the Victoria and Albert Museum, and chairman of both the Embroiderers’ Guild and the Society of Designer Craftsmen. She is a Fellow of the Royal Society of Arts and her work can be found in many private and public collections. Diana is heavily involved with embroidery within both education and museums/collections. She has been instrumental in promoting embroidery in the Fine Art world, and has been a teacher and mentor to a significant proportion of today’s greatest artists working in stitch, including Alice Kettle.
Originally from Berlin, Jess de Wahls is a London based textile artist who creates hand-sewn relief portraits from up cycled clothing adorned with embroidered elements, a technique for which she has coined the term ‘Retex Sculpture’. Encouraging social change and gender equality, exploring Feminism and embracing recycling and reuse are paramount to her practice.
An expert in colour and materials design and trend forecasting, Laura Perryman has a proven track record of creating groundbreaking color, finish, and material design solutions for clients such as: Toyota, Habitat, 3M, Panasonic Europe, Nokia, Speedo and DuPont Solid Surfaces. In addition her expertise have been brought into bespoke material research projects with innovation agencies such as Native, The Future Laboratory and WGSN. She is also part-time Lecturer in BA Surface Design at Bucks New University, as well as running consultancy, Colour of Saying, which specialises in future experiential design with colour and materials.
Alice Walsh is a designer and the founder of accessories brand Alice Made This. The brand celebrates British manufacturing, industrial engineering and raw materials and has shown at London Collections: Men, Tranoï and Pitti Uomo. After completing her furniture and product design degree in Nottingham, Alice built a career designing with notable brands including Habitat, Tom Dixon, industrial design agency Forpeople, Conran, DeBeers, Red Bull and British Airways. With a passion and respect for factories, Alice analyses a manufacturing process and then designs accordingly.
Beata Kania is an interdisciplinary artist and educator. She holds a position of adjunct faculty in the Fashion Studies Department at The School of the Art Institute of Chicago, Harper College and Columbia College. She also taught at the National Institute of Design in Ahmedabad, India, and has been honoured with Educator of the Year Award. Storytelling, mystique, folklore, history and mastery of old-world crafts, define Beata Kania’s signature artwork, a compilation of sculpture, textiles and painting. Given her multidisciplinary skills, Beata Kania has been engaged in variety of fascinating projects that range from designing and staging historical costumes and public installations, to collaborating on an animated film, a finalist at the Toronto Film Festival. She has exhibited her work at the Art Institute of Chicago, Fashion Resource Center at The School of the Art Institute of Chicago, American Arts and Crafts Expo at Northwestern University, SOFA, Evanston Art Center, Nashville Public Library, Athenaeum Theater, and Barrington Art Center. Winner of Hand and Lock, International Embroidery Competition in 2010 and 2013, and a proud advisor to her students at Harper College, winners of the Student Category in 2015 and 2016, she is honored to be appointed a mentor to this year’s runners-up.
Born 1973 in Tel Aviv and currently residing in Chicago, IL Nelly Agassi works in performance, installation, video,textile and paper. Her artwork addresses the idea of the body and notion of intimacy within public space in relation to architecture. Her work engages both the personal and emotional as well as universal concepts. Agassi is a 2001 graduate of the MA program of combined media in Chelsea Collage of Art and Design, London, UK. She has received the Nathan Gottesdiener Foundation for Israeli Art Prize and the Tel Aviv Museum of Art award for artistic encouragement from the Israel Ministry of Science, Culture and Sport. Agassi shown her work extensively throughout the world – in sites such as the Israel Museum,Jerusalem, Doritto Rovesscio, Milan Triennial, Poor Farm, USA, and at the Tate Modern in London.
Daniel Heath is a British award winning independent wallpaper, textile and surface designer renowned for his illustrative and engaging designs. Based in Walthamstow in the heart of East London, the designer-maker has long held an interest in craftsmanship and sustainable design through up-cycling and re-appropriation of authentic heritage materials. Trained in the traditional process of silk screen printing at the Royal College of Art, he set up his studio in 2007 to make bespoke, hand printed wallpapers and crafted interior surfaces exclusively made to order. Drawing has always underpinned his surface pattern designs and many have references to a time or a place to form playful narratives. Daniel utilises technologies such as laser engraving, to create many of his unique designs. The outcomes cross the boundaries between technology and craft to create modern design pieces that embody traditional values yet contemporary aesthetics. Daniel is an experienced academic and has lectured Textiles at a range of universities and also provides mentoring for young designers. Daniel exhibits and sells his work internationally include Europe and the US. Daniel is also a proud brother of the Artworkers’ Guild in London.